We turned in to the last few minutes of a movie with a great ending, and, not knowing what came before, were captivated. That led to a discussion of other perfect movie endings.
Spencer Tracy's speech in
Guess Who's Coming to Dinner was TBG's first choice; I went to Scarlett leaning against her front door in
Gone With the Wind. TBG's choice is a more moral one, but mine is wrapped up in a memory that's sweeter than Miss O'Hara ever thought of being: FAMBB and I, high school kids thrilled with the adventure of a day in New York City, watching a revival of the movie from the balcony of a grand old movie palace on Broadway. The movie has not aged well for me, but the memory grows more potent with time.
Music Man's parade of 76 trombones through the streets of River City makes us smile and sing along and stays with us in a way that
Hello, Dolly just doesn't. I don't know why. Perhaps it's the fact that we also carry around in our heads the sound of Grandpaw singing along with Robert Preston.
The clanking of swords and TBG's favorite last line -
May I obey all your commands with equal pleasure, Sire! - ends 1938's
Robin Hood. The closing of those over-sized castle doors is the perfect backdrop for
The End....because all excellent movies have those words in the last frame.
Films where kids bring the grown-ups together and take credit at the end -
Sleepless in Seattle and
High Society and
Parent Trap came immediately to mind - get extra points for cuteness. Self-satisfied 10 year olds are, by definition, adorable.
Casablanca owns airport finales and
Rudy owns football fields. Nelson Eddy and Jeannette MacDonald take the prize for riding off into the sunset in
Naughty Marietta. Butch Cassidy and The Sundance Kid wins for gun battles and heroic deaths,
The Shape of Water for undersea transformations.
The list excludes movies with a coda, like
Raiders of the Lost Ark. The penultimate scene is amazing; the last scene is anti-climactic. Hitchcock is, as usual, confounding; I excluded
North By Northwest because the last scene is on the train, but TBG argues that it's all blended together from their hands grasping on Mount Rushmore. He may have a point.
To Have and Have Not has a fantastic last shot, but the wonderfulness does not last long enough to be included on on the list. Surprises -
Charade and
Psycho - are more pointed and so may be included, despite their brevity.
Those are the rules. What would you add?